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ABOUT THE PROJECT

ABOUT THE PROJECT

A new campaign from WildAid and Tears of the African Elephant, a Japanese NGO, calls on Japan to end its ivory trade starting with abandoning ivory hanko stamps. Roughly 80% of Japan’s ivory consumption is for hankos, which are used to sign official documents, like marriage licenses and business contracts. As the world’s remaining legal market, Japan has an opportunity to help end elephant poaching in Africa.

The campaign’s animated video, created by Grey Tokyo and Academy Award-nominated artist Koji Yamamura, tells the story of how hankos are made, connecting elephant poaching to the final product. Some 500 hankos made from wood were used to create the video, a self-reflexive approach for a stylized 2,400 frames of stop-motion animation. The campaign – shared on social media, billboards, and traditional media throughout Japan- also calls upon the Japanese public to sign a petition supporting Japan’s closure of domestic ivory trade. The Ministry of Foreign Affairs decided unanimously to shut down ivory trade around the world. The petition asks Japanese citizens to support the buying and selling of ivory in the country.

The Japanese public has been sharing the campaign video ahead of May 1, when Emperor Akihito will abdicate and pass the office to his son, Crown Prince Naruhito. Viewed with great symbolic meaning and an opportunity to start fresh, government offices expect couples will rush to register their marriages – using hankos.

There are signs certain industries are willing to give up hankos altogether, particularly as businesses court younger customers and digitize their services. Last month, some of the country’s biggest banks announced hankos will no longer be required to open accounts or withdraw money.

Japan has imported ivory from more than 250,000 African elephants since 1970, including a significant portion from poached wild elephants. Since the 1989 international ban on the ivory trade under CITES, Japan also secured two controversial CITES-approved ivory purchases of nearly 50 tonnes from Zimbabwe, Botswana, and Namibia in 1999 and a further 48 tonnes in 2008.

Beginning in July 2019, Japan will require ivory traders to prove, via carbon dating, that whole tusks were legally acquired. The country’s ivory registration process has only identified a fraction of ivory known to be in the country.

At a press conference, Japan’s Environment Ministry said: “By shutting down the movement of ivory of unknown origin, the domestic market is moving closer to an effective closure.”

A final closure of all major legal markets would be truly historic and instantly bolster Japan’s environmental image worldwide, especially if the end date were to be announced in advance of the 2020 Olympics when all eyes will be on Japan.

WildAid is working in Japan to support any government effort to end the trade and address the remaining demand for ivory, particularly hankos. These Japanese stamps were not traditionally made from ivory, but the economic boom in the 1970s and 1980s prompted carvers to switch materials, and many people purchased whole ivory tusks believing it to be an investment.

ABOUT US

ABOUT US

WILDAID

WildAid fights for wildlife by targeting consumer demand for illicit products including ivory, rhino horn and shark fin. WILDAID has teamed up with Japanese NPO Tears of African Elepahnts and production company Mt. MELVIL.

TEARS OF AFRICAN ELEPHANTS

Tears of the African Elephant is a non-profit organization based in Japan and Kenya that is actively working to resolve the threats towards African Elephants. It is founded by two Japanese women who grew up in Africa.

HANKOGRAPH TEAM

Animator/Director Koji YAMAMURA / YAMAMURA ANIMATION
Creative Director Masanori TAGAYA / GREY
Art Director Gaku TAKAI / GREY
Associate Account Director Meg FUKUDA / GREY
Accounts Executive Shinnosuke OGURA / GREY
Director of Photography Senzo UENO
Producer Kentaro KINOSHITA / TYO MONSTER DINER
Campaign Producer Airi Yamawaki / Mt.MELVIL / WILDAID / TEARS OF THE AFRICAN ELEPHANT
Production Manager Seiya KONNO / TYO MONSTER DINER
Photographer Mitsuru NISHIMURA
Digital Designer Maria TAKAOKA / Mt.MELVIL
Captions Translations Kennedy TAYLOR
Additional Credits
Offline editor / Joji ASAOKA
Online editor / Yoshinobu OKINO /Nomad Tokyo
Online editor / Misaki FUJIWARA/ dadab
Sound design /Takaomi TOMURA
Sound Effect/ Kouji KASAMATSU/Digital Circus
Music/Hitomi SHIMIZU/Manual of errors artists
Gaffer/ Keisuke IKEDA
Art/Maiko AKIYAMA/Sound of Architecture
Stylist/ Yuka OGINO/MINT
 
ご協力頂いた皆さま、ありがとうございました。

Our choice of Hanko dictates whether the elepahants live or die.

Our choice of Hanko dictates whether the elepahants live or die.